OVERVIEW
REPIQUE
DE MÃO
Price: $14.99
Kontakt VST / AU / AAX
620 Samples – 167MB
04 Channels Buses
Available as Direct Download
- Update Log: V1.1– New Graphical Interface– Minor Improvements
Full Retail Version of Kontakt 5.6 (or later) Required
Gear used:
The Repique library was recorded at João Francisco’s studio in Belo Horizonte, Brazil, in an incredible room with Four microphones. A Neumann KM 184, a Shure SM 57, a Neumann U 87 and a Bock Audio 251. Two preamps API 512c, one Vintech Audio 573 and one Grace 501 routed in a Symphony Apogee.
Samba Vibes
The Repique de Mão was created by percussionist Ubirani, musician of Fundo de Quintal, a legendar samba group in Brazil. The instrument was frequently used by other samba groups all around the country. Born from a drum Tom, the Repique de Mão allows the player to “swing” over the beat of the song.
Walkthrough
In this video we’ll show you the sound of the library. We will also see some features and and how to use them.
Listen the Sounds of Repique
Effects
Each effect has been made to enhance the sample intelligently.
Ability to download
PC 2.0Ghz+, 4GB ram (8GB Recommended)
MAC 2.0Ghz, 4GB ram (8GB Recommended)
Samples
620 Samples. Recorded using top quality preamps. Everything recorded at 44100Hz, 24bit.
Fully Dynamic
The samples offer from the slightest touch to the strongest attack providing more freedom to create dynamic rhythms and beats.
*Kontakt Full Version
Full Retail Version of Kontakt 5.6 (or later) Required.
The Repique de Mão was created by percussionist Ubirani, musician of Fundo de Quintal, a legendar samba group in Brazil. The instrument was frequently used by other samba groups all around the country. Born from a drum Tom, the Repique de Mão allows the player to “swing” over the beat of the song.
The Repique library was recorded at João Francisco’s studio in Belo Horizonte, Brazil, by the great percussionist Robson Batata, in an incredible room with 4 microphones. A Neumann KM 184, a Shure SM 57, a Neumann U 87 and a Bock Audio 250 were used for the room. Two preamps – API 512c, one Vintech Audio 573 and one Grace 501 routed in a Symphony Apogee were used in the audio capture.
Single Hits
- Repique
Rhythmic Loops (no sync)
- Brazilian Grooves (100 bpm)
- Brazilian Cells (100 bpm)
“In terms of quality, the Muletone Audio library is the best, having deeper sampling than anything else out there for the equivalent instruments and also offering different samples based on how long of a sustain is desired”
“If you love World percussion virtual instruments and you like Brazil then you need to know Muletone Audio because they make the very best ones.”
About Drums:
“Great Drum Tool! Both excellent sounds and patterns for brazilian type of songs.”
“SOUNDS GREAT! SOUNDS AUTHENTIC! I am using a Cuica for a remix of a song and it definitely brought out the life of the song! Loved it!”
“This is a nice, well-played kit with considerable nuance. I compared this with XLN’s Addictive Drums Jazz Brushes, and Muletone is so much more subtle and real.”
“In terms of quality, the Muletone Audio library is the best, having deeper sampling than anything else out there for the equivalent instruments and also offering different samples based on how long of a sustain is desired”
“If you love World percussion virtual instruments and you like Brazil then you need to know Muletone Audio because they make the very best ones.”
“…This is really helpful if you want to spice up your compositions with some shakerish elements… Does what it offers very well. A cool opposite towards all that boomish wacky epic percussion stuff”
“Great Drum Tool! Both excellent sounds and patterns for brazilian type of songs.”
“I really do love what you make, the instruments sound terrific! And I appreciate the customer support. “
“Really natural sounding Brazilian percussion. I bought this to do some dance/club music in the style of Buraka Sound System”
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